Theodore Jasper (1814 – 1897), a Prussian born doctor who pursued his interest in ornithology as an illustrator, painted the original for this c. 1880 chromolithograph of eight species of North American owls, for “Studer’s Popular Ornithology.” This rendering of Jasper’s work is a fine example of the variety of color achievable with the relatively new process of chromolithography. The work is framed in a distressed silver leaf moulding from Furst Brothers’ “Perle” collection and TruVue “Premium Clear” glass.

U. P. Hedrick (1870 – 1951) was an American botanist and horticulturalist. His 1920’s era publication “The Cultivated Fruit Trees of New York” is still the classic reference for the period. This vintage chromolithograph print “Lincoln Pear” was taken from the book, and archivally presented in a solid cherry profile from Furst Brothers’ “Arborita” collection, museum mounting, FrameTek spacers, and TruVue 99% UV filtering and anti-reflective “Museum” glazing.

We love this print of a pair of Hooded Mergansers by John James Audubon (1785-1851)! Audubon was a self-taught artist and renowned ornithologist, best known for his major work, “The Birds of America,” a color-plate book featuring 425 of his lithographs. We archivally presented this chromolithograph in a rustic moulding from Roma’s “Country” collection, Artique matting from Larson Juhl with hand-painted bevel, and Tru Vue Conservation Clear glass.

John James Audubon (1785-1851) was a self-taught artist, naturalist, and ornithologist, best known as America’s leading wildlife artist and the namesake of the renowned Audubon Society. This chromolithograph shows a pair of mischievous black squirrels – archivally presented in a gilded Italian moulding from Roma’s “Eleganza” collection, matting from Crescent, gold fillet from Larson Juhl’s “Senelar” collection, and Tru Vue Conservation Clear glass.