An original watercolor by Sara Steele for the cover of her 2025 calendar, this abstracted work highlights the bright colors of the sky as the sun rises over a hilly landscape. Steele describes her painting style as “sacred play,” and views the medium as a give-and-take conversation, unpredictable but able to be guided. We’ve archivally presented this piece as a float mount in a cinnamon-toned cherry wood profile from Furst Brothers, matting by Crescent Brands, and TruVue 99% UV filtering and anti-reflective “Museum” glass.

Local Philadelphia artist Bennett Lorber is an accomplished painter, educator, and physician. He enjoys painting “en plein air” during the summer months, because the light is beautiful, the birds are singing, and there is more space to make larger works! We archivally presented his original “June Painting” in a white-washed maple moulding from Larson-Juhl’s “Garrett” collection, 6-ply Crescent matting, and Tru Vue “UltraVue” anti-reflective glazing.

Timothy Curtis (b. 1982) is a self-taught artist who grew up in Philadelphia, and relocated to NYC in 2015. He was first introduced to the arts as a young child through street art and graffiti writing. “Inkblot Face No. 16” is a signed and numbered hand embellished limited edition screenprint published by Powerhouse Arts in Brooklyn, NY. We archivally presented this Rorschach-inspired print as a float mount in our archival and nicely priced “Artist’s Special” framing package.