This is an original signed botanical collagraph by local Philadelphia artist Emily Ennulat-Lustine. A versatile medium, collagraphs use collage techniques to build up a textured “plate,” which is then inked and run through a press with paper, transferring the image and embossing the surface. We’ve archivally presented this piece as a float mount in a silver wood profile from Studio Moulding, Crescent Brands mat, and TruVue 99% UV filtering and shatter resistant “Conservation” acrylic.

Do you remember the warmth of spring? Delicately rendered in colored pencils and graphite, “Red Oak Leaves Emerging (Quercus rubra)” by Diane Ehrich celebrates the unfurling of new life as the seasons change. Inspired by the “mundane miracles of nature,” her work showcases the importance of native plants in preserving biodiversity and maintaining ecological stewardship. We’ve displayed this piece in an ebonized slant profile wood frame by Larson Juhl and TruVue 99% UV filtering and anti-reflective “Museum” glass.

Based in Lyon, France, botanical watercolorist Vincent Jeannerot paints stunning florals, fruits, and vegetables! He enjoys revealing the secret lives of his “botanical models” through the tiniest nuances and details. His signed print “Triptych of Irises” was archivally presented in a glowing purple profile from Roma’s “La Galleria” collection, museum mounting, and TruVue 99% UV filtering and anti-reflective “Museum” glazing.

We love these fine art prints by renowned artist Joan Zwack! They feature vistas from “Brookside Gardens” located in Wheaton Regional Park, Maryland. The Wedding Gazebo, Fragrance Garden, Japanese Tea House, and Anderson Pavilion look fantastic in this blue-green poplar moulding from Larson Juhl’s “Garrett” collection, off-white Bainbridge mat with hand-painted bevels, and Tru Vue Conservation Clear glass.

From November 10th – 28th, Philadelphia’s own Space 1026 will host “Botanical in Nature,” a members choice show presented by the Philadelphia Society of Botanical Illustrators. Local artist Diane Ehrich’s original colored pencil drawing of a jack-in-the-pulpit will be making its debut there! Archivally presented in a grey moulding from Larson Juhl’s “Waterwoods” collection, Bainbridge matting, and Tru Vue Conservation Clear glass.